Born Into Brothels Essay Example

Born Into Brothels Paper Zana Briski and Ross Kauffman’s â€Å"Born into Brothels† is a lengthy documentary that shows lives of seven children growing up in the squalid red light district of Sonagchi, Calcutta. Briski and Kauffman focus on the everyday lives of these children which include: drug addiction, abuse and beatings, rage and apathy that perpetuate their misery. â€Å"Born into Brothels† by Zana Briski and Ross Kauffman, is a documentary that is overflowing with symbolism. Photography is exposed throughout the documentary; the role of photography is to portray the opportunity that has been granted to these children for them to express themselves. The painting they would engage in was a way for these children to express their emotions through the paintings; Avijit was quoted when he said â€Å"I like to draw pictures because I want to express what’s on my mind†¦ I want to put my thought into colors. † Photography and painting was these children’s only way to express their true inner feelings; and that is why it is emphasized throughout the documentary. Briski symbolizes the children’s escape from the Brothels, a brighter future, and the only way out of their misery. Tone sets the mood in every movie, documentary, book, poem, etc. â€Å"Born into brothels† expresses a hopeless tone, because these children feel so loveless, bleak, and so many emotions that are portrayed in the documentary that break the heart of the viewer. Lack of hope is not only captured by the viewer, but also expressed by these children. â€Å"There is nothing called hope in my future† said Avijit, this makes the viewer feel sympathetic but at the same time hopeless; hopeless because one wants to reach out and find hope in the future of the children such as Avijit but cannot. We will write a custom essay sample on Born Into Brothels specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Born Into Brothels specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Born Into Brothels specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Sympathy is also a tone that is also depicted in the documentary as you see the depiction of overpopulation, deteriorating environment and crowded living conditions. The symbolism portrayed in the documentary can be compared to educators, because both bring hope in the lives of children. Educators play the same role that Briski, photography and painting played in the lives of these children in the Brothels. Educators bring hope, faith, a brighter future, and a second chance for many; which is what Briski represents in â€Å"Born into Brothels†. Without Briski, these children would have never found a way to xpress there pain, misery and sorrow; without educators we cannot grow, expand our knowledge, and we too would be hopeless. â€Å"Born into Brothels† is a documentary that stepped out of the norm, and truly expressed what life in the brothels is about. Briski’s courage helped mold and empower many of her photography prodigys. One of the greatests strength Brisk i had was her willingness to follow in the path that the project might have taken her. Briski embraces her subjects with sober, practical, optimism, the kind that heals even if it did not fix everything it desired to.

Free Essays on Finanical Analysis

Financial Analysis The May Department Stores Company May Department Stores Company began in 1877, David May opened the first store of what was to become The May Department Stores Company in Leadville, Colo., a silver-mining boom town. May headquarters moved to St. Louis in1905. 1910 the May Department Stores Company was incorporated. Earnings were $1 million. The company was listed on the New York Stock Exchange in 1911. In St. Louis, May acquired the William Barr Dry Goods Company and combined it with The Famous Clothing Store to form Famous-Barr. May Merchandising Company was formed under the original name of The Sostman Mercantile Company and became May Merchandising in 1969. The May Department Stores Company operates six regional department store divisions in the United States. . May Department Stores Company is more diverse than it’s direct competitors, Dillard’s Inc., Federated Department Stores Inc. and Saks Inc.. The department store divisions are Lord Filene's and Kaufmann's; Robinsons-May and Meier Hecht's and Strawbridge's; Foley's, and Famous-Barr, L.S. Ayres and The Jones Store. As of January 31, 2004, May operated 444 department stores in 36 states and the District of Columbia. May National Bank of Ohio, an indirect subsidiary, extend credit to customers of May's six department store divisions. May Merchandising Company, an indirect subsidiary, works closely with its six department store divisions and merchandise vendors to communicate emerging fashion trends and to develop merchandise assortments. In addition to its department stores, May's Bridal Group operates 210 David's Bridal stores, 460 After Hours Formalwear stores and 1 0 Priscilla of Boston stores. In July 2004, the Company acquired the Marshall Field's department store group from Target Corporation. May Department Stores Company is a collection of some of the most well-respected names in the retail busines... Free Essays on Finanical Analysis Free Essays on Finanical Analysis Financial Analysis The May Department Stores Company May Department Stores Company began in 1877, David May opened the first store of what was to become The May Department Stores Company in Leadville, Colo., a silver-mining boom town. May headquarters moved to St. Louis in1905. 1910 the May Department Stores Company was incorporated. Earnings were $1 million. The company was listed on the New York Stock Exchange in 1911. In St. Louis, May acquired the William Barr Dry Goods Company and combined it with The Famous Clothing Store to form Famous-Barr. May Merchandising Company was formed under the original name of The Sostman Mercantile Company and became May Merchandising in 1969. The May Department Stores Company operates six regional department store divisions in the United States. . May Department Stores Company is more diverse than it’s direct competitors, Dillard’s Inc., Federated Department Stores Inc. and Saks Inc.. The department store divisions are Lord Filene's and Kaufmann's; Robinsons-May and Meier Hecht's and Strawbridge's; Foley's, and Famous-Barr, L.S. Ayres and The Jones Store. As of January 31, 2004, May operated 444 department stores in 36 states and the District of Columbia. May National Bank of Ohio, an indirect subsidiary, extend credit to customers of May's six department store divisions. May Merchandising Company, an indirect subsidiary, works closely with its six department store divisions and merchandise vendors to communicate emerging fashion trends and to develop merchandise assortments. In addition to its department stores, May's Bridal Group operates 210 David's Bridal stores, 460 After Hours Formalwear stores and 1 0 Priscilla of Boston stores. In July 2004, the Company acquired the Marshall Field's department store group from Target Corporation. May Department Stores Company is a collection of some of the most well-respected names in the retail busines...

Marcel Duchamp Essay Example | Topics and Well Written Essays - 1750 words

Marcel Duchamp - Essay Example The paper "Marcel Duchamp" focuses on the important figure in the art, Marcel Duchamp. Particular to that was the avant-garde movement known as the Dadaists and the Surrealists: "the mission of the early 20th Century avant-garde thus consisted in undermining the idea of art's 'autonomy' in favour of a new merging of art into what he calls the 'praxis of life'." The work being examined in the following, falls within the genre of this movement, and thus, one of the running themes explored throughout this discussion, will address how L.H.O.O.Q. can be understood as an expression of the avant-garde of his age, and how this fits within the agenda of the Dadaists. In introductory terms, Dadaism is a movement that sought to deconstruct the relationship of art to the power structures that financed it, so to speak. By challenging the power relations surrounding the work of art, the further agenda of exposing the essentially "bourgeoisie" values are likewise a theme that is incorporated into t he actual pieces or works of art themselves. In 1915, Marcel Duchamp moved to New York City from Paris. In Duchamp's own words, he was not moving to New York so much as he was fleeing the art community in Paris which he believed was burdened by the history and traditions of European art. As he states: â€Å"If only America would realize that the art of Europe is finished – dead – and that America is the country of the art of the future. Look at the skyscrapers! Has Europe anything to show more beautiful than these? New York is a work of art, a complete work of art . . . And I believe that the idea of demolishing old buildings, old souvenirs, is fine . . . The dead should not be permitted to be so much stronger than the living. We must learn to forget the past, to live our own lives in our own time.† [Kalaidjian, Ed., 2005, 195]. In terms of the back drop of rejecting history or the tradition of art, the work in question eventually came to be known as a 'ready-ma de'. That is, a found object which has been altered or modified in a way, and then presented as a work of art. The work in question [APPENDIX A] is a reproduction of Leonardo Da Vinci's Mona Lisa, which is arguably, the most famous work that is housed in the Louvre in Paris. As far as the modifications go with this particular work, Duchamp has merely added a mustache and titled the work with the initials L.H.O.O.Q.. This title is supposed to be a pun or a play on the French: â€Å"Elle a chaud au cul" and as translated into English, the phrase means "She has a hot ass" [Seigel, 1995, 119] . There is an interesting controversy about the work, that it is germane to the very meaning of the work itself. One of the important aspects of a work like this, is the very capacity for it to be photographed and reproduced. Indeed, the technique involved with the work in the first sense involves photography insofar as the image itself is initially a photograph of the Mona Lisa: "photography was crucial in disseminating Duchamp" [Hopkins, 2004, p. 46]. The contemporary twist on the controversy occurred in 2006 when the art critic and editor of Art in America, had to issue an apology for misunderstanding the authenticity and provenance of a reproduction of Duchamp's famous work: â€Å"I was wrong in 'Dada Lives' to claim that Francis Picabia's bungled 1920 reproduction